PDF Download City of a Million Dreams: A History of New Orleans at Year 300, by Jason Berry

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Review

Captures the reader's attention with a cavalcade of astoundingly detailed accounts of the exploits and adventures of a cornucopia of outstanding people who have left an enduring mark on New Orleans and the conflicts that have forged its distinctive urban culture.--Ed Conroy, The Houston ChronicleA bold, witty, character-driven history of New Orleans, just in time for its tricentennial.--Larry Blumenfeld, The Wall Street JournalA hypnotic biography of a unique American city. . . . City of a Million Dreams is history writing at its best, in which high-caliber prose manages to be as interesting as its subject.--Foreword ReviewsBerry not only traces . . . overlaps of sound and spectacle; he uses overlapping narratives. . . . We see New Orleans, after another of its near-death experiences, still stubbornly not knowing how to die when it ought to." --Garry Wills, New York Review of BooksA powerful narrative about the making of a place, against all odds.--January MagazineEvery major city should have such a guide to its past.--Kirkus Reviews, starred review

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Every New Orleanian, including this one, possesses a cultural arrogance that makes us believe our city is more colorful and interesting than your city. We've been taught since we were children that New Orleans has the most rich and nuanced history of any city in the United States. Now that Jason Berry has written this masterful work, I no longer believe my city is more interesting than yours — I know it. Read this book so you can agree with me.--James CarvilleBeguiled by our weirdness, visitors marvel at New Orleans's irrepressible energy and wonder where it came from. Locals puzzle over it, too. This promises to be one of the indispensable books readers from across the spectrum will turn to for an answer.--Lawrence N. Powell, author of The Accidental CityThis is a dream of a book, deftly organized, fluidly written, and compelling.--Garry Wills, author of Venice: Lion CityI devoured this book. Jason Berry has a profound understanding of the main ingredients of New Orleans history: race, religion, and music. In this fascinating work, he weaves them together in a luscious, multicolored tapestry of the town's 300 years. Like a wonderful piece of jazz, it has recurring strands and lovely riffs that make the narrative dance.--Walter Isaacson, New York Times best-selling author of Leonardo da Vinci

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Product details

Hardcover: 424 pages

Publisher: The University of North Carolina Press (November 12, 2018)

Language: English

ISBN-10: 9781469647142

ISBN-13: 978-1469647142

ASIN: 1469647141

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#23,082 in Books (See Top 100 in Books)

I based my purchase on the five star reviews of the previous readers. My experience was very different. I struggled with numerous names which are dumped without mercy on this reader, lack of structure of the city history and random choice of heroes and events. The book is not a city history but a combination of personal stories, related to New Orleans according to the author's taste. Unfortunately, many of the personalities presented seem unimportant and random to me. Finally, practically omitting such characters as Huey Long is a strange choice.I think that to enjoy this book the reader should be very close and familiar with the subject.Did not work for me.

A primer on one of the world's great cities. Unlike any other New World city, New Orleans' past is a maze of different peoples, cultures and events. Jason Berry brilliantly weaves the stories of war, slavery, racism, skulduggery, betrayal, criminality, and natural disasters and the struggles of this unique civilization. Nothing boring here, this is a story of racial, social and political evolution, peppered with religion, spiritualism, jazz and the unique quality of survival that typifies New Orleans. Berry's anecdotes and biographies of critical figures, some famous, others infamous, from the pirate Jean Lafitte to the jazz pioneer, Kid Ory (and Louis Armstrong, of course) colors the narrative. Anyone interested in the history of African-Americans, read this. Anyone interested in the history of jazz, read this. And anyone interested in the history of the United States needs to read what is a fascinating aspect of our national past. As a historian by trade, I believe this is essential reading and a major contribution.

Jason Berry has written an important book about a major American city. His research is thorough, his writing style graceful and his cultural, social and political observations interesting and valid. I lived in New Orleans for seven years and visit the city quite often. The book has been a real eye-opener for me. Berry doesn't ignore or whitewash some of the more difficult and unsavory aspects of the city and its people. For example, writing about the fervor of the Lost Cause mythology, he says, "The outrage felt at white churches and country clubs, at Chamber of Commerce meetings, and among good old boys in the duck blinds was over the very questioning of white innocence. A century after the Civil War, a way of life was simply what it was: white people superior and black people expected to be submissive." Later he writes, "New Orleans rocks along through the pageantries and memory rituals of its varied people, a map of the world in miniature, a blue city floating against the odds of sea rise and climate convulsions, blue forever in its long sweet song." Well done.

New Orleans, the city where I was born and grew up in, turned 300 years old last year, rather old by American standards. Founded by the French, managed for a time by the Spanish, incorporated into the United States with the Louisiana Purchase, then a part of the Confederacy before it was dragged back into the Union with Reconstruction, the city has a history that’s colorful, turbulent, diverse, and still being lived.These days, I usually approach books and articles about New Orleans with doubts. How much of what I read will be ideological? How much does political correctness seep in? Will I recognize my hometown in what I’m reading, or will it come across as some alien place, unrelated to anything I know?“City of a Million Dreams: A History of New Orleans at Year 300” by Jason Berry captures a considerable amount of the city’s color and turbulence. It’s an account of a city that’s includes usually forgotten elements and people but also manages to avoid the traps of ideology. In short, I recognize my city in this story of its history. The problem I have is that I don’t recognize enough of it.Berry is an investigative reporter who lives in New Orleans and who’s written some 10 books, including on subjects as diverse as the Catholic Church crisis, the power of money in the Catholic church, a history of New Orleans music, a novel about Louisiana politics, and others. He is a producing “City of a Million Dreams” as a documentary film, expected to be released this year.The book begins at the beginning, with the founding by the French in 1718, specifically by Jean-Baptiste Le Moyne, Sieur de Bienville, the man known for his snake-tattooed body that always impressed the native tribes. Berry tells a good story of Louisiana’s first 100 years, covering the French, Spanish, and early American periods, along with the powerful influences on the city by the French Revolution, Napoleon Bonaparte, slave rebellions in the West Indies, yellow fever, and French national and colonial politics.It was during the discussion of the period leading up to and including the Civil War and Reconstruction eras that I began to see the book’s strong point – the emphasis on the city’s musical history – was also its weak point. The emphasis on music allows an enhanced discussion of the history of the city’s African-American people, including both slaves and “free people of color.” But it also means that other elements are crowded out. The reader gets an extended discussion of specific musicians and a funeral home operator, but not a single reference to John McDonough, the philanthropist who shaped the lives of hundreds of thousands of people through the public schools, and few references to the importance played by city’s position as a leading seaport.Aside from the discussion of colonial history, the book does provide solid background on how the city’s neighborhoods developed, where Congo Square came from, the origin of “second-lining” funerals, and how New Orleans’ musicians, like Louis Armstrong, became part of the city’s musical diaspora across the United States and into Europe. But you will find very little on the city’s contribution to World War II and the space program, and the role of businesses and industry, including cotton.“City of a Million Dreams” is uneven, and its emphasis on music likely reflects the author’s previous work in that area. The music is a fascinating and important aspect of the city’s history. But other aspects are important as well, and Berry could have his excellent storytelling style to those as well.

Jason Berry is a trustworthy and entertaining guide to New Orleans as it celebrates its 300th birthday. You need not have lived or even visited the Crescent City to enjoy how Berry shows how the past influences the present. The book succeeds not only as a serious work of history but as an introduction to the polyglot culture of the city for the general reader. I especially enjoyed the account of how Louis Armstrong came from nothing to emerge as the most important jazz artist of the twentieth century. Be warned: if you start reading, you won’t be able to stop.

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